Antigna was born in Orléans, France, where his earliest training took place On October 9, 1837, he entered the École nationale supérieure des Beaux-Arts in Paris where he was a pupil of Sebastien Norblin de la Gourdaine as well as the renowned Paul Delaroche.
Alexandre Antigna (1817–1878)
Gypsy with the tambourine
Charcoal on signed paper
23 x 17.5 cm
Private collection
Alexandre Antigna (1817–1878)
Napoleon III Visited the Slate Quarries of Angers, c. 1856
Oil on canvas
235x375 cm
Musee des Beaux-Arts, Angers, France
Until 1845 his paintings were generally religious scenes and portraits. Yet, after living in the poor quarter of the Île Saint-Louis in Paris he would incorporate images of the suffering and burden of urban poor into his works.
Alexandre Antigna (1817–1878)
The forced stop, c. 1855
Oil on canvas
Height: 156 cm (61.4 in); Width: 207.5 cm (81.6 in)
Musée des Augustins
Presented at the Paris Salon in 1855 then at the Toulouse Exhibition in 1858, the work was acquired by the city.
Alexandre Antigna (1817–1878)
Rest for the weary
Oil on canvas
21 x 29.5 in. / 53.3 x 74.9 cm.
Private collection
Alexandre Antigna (1817–1878)
'feed the hungry'
Oil paint
60 x 80 cm
Private collection
Alexandre Antigna (1817–1878)
The Lightning, 1848
Oil on canvas
220 x 171 cm
Musée des Augustins, Toulouse
Alexandre Antigna (1817–1878)
The Fire, c. 1850–51
Oil on canvas
Height: 262 cm (103.1 in); Width: 282 cm (111 in)
Musée des Beaux-Arts d'Orléans
The scene shows with dramatic intensity a family in a unique room threatened by flames. The artist gives a preponderant place to the woman, pivot of the composition, who seeks to save her children. More on this painting
Alexandre Antigna (1817–1878)
Widow/ The Death of the Pauper, c. 1849
Oil on canvas
128x193
Musee Charles-de-Bruyeres, Remiremont, France
The scene takes place in a small damp room. A dead man is lying on a bed of straw. Beside him, his wife in tears, as well as his two children. One weeps on her mother's shoulder, the other looks at the viewer of the work. “If we look closely, we see that the boy is wearing spiked shoes, which accentuates the poverty of the family. His gaze, even if he does not cry, calls out, we feel the tears ready to spring.
"Widow" represents human misery. The details are important, the veins of the woman sticking out of her hand, the clothes with holes. "Alexander Antiga is one of the first painters in the XIX th century, which drew attention to the people who suffer. More on this painting
By the 1848 Revolution Antigna was devoted to the Realist style, and continued to paint in this manner until c. 1860 when he began to produce paintings in the Naturalist vein. He exhibited at the Salon and received the Legion of Honour in 1861. He traveled to Spain and Brittany numerous times in order to paint multifarious scenes, yet he always retained his compassion for the poor.
Alexandre Antigna (1817-1878)
La fille du bouquiniste/ The bookseller's daughter, c. 1855
Oil on canvas
Musée des Beaux-Arts, La Rochelle
Alexandre Antigna
The poacher
Oil on canvas
49cm x 36cm
Private collection
Alexandre Antigna (1817 – 1878, French)
La Fête-Dieu/ Corpus Christi, c. 1855
140 x 195 cm
Musée des Augustin de Toulouse
The Feast of Corpus Christi is a Roman Catholic, Anglican, and Western Orthodox liturgical solemnity celebrating the Real Presence of the Body and Blood, Soul and Divinity of Jesus Christ in the elements of the Eucharist. More on Corpus Christi
In 1861 Antigna married Hélène Marie Pettit, who became a painter herself. Their son, Andre-Marc Antigna, was also a painter and miniaturist. He died in Paris.
More on Jean Pierre Alexandre Antigna
Alexandre Antigna, 1817-1878
Scene D'Atelier/ Scene in the Studio
40.3 x 32.1 cms | 15 3/4 x 12 1/2 ins
Oil on panel
Private collection
Alexandre Antigna (1817 – 1878, French)
Après le bain/ After the Bath
Oil on canvas
I have no further description, at this time
Alexandre Antigna (1817 – 1878, French)
Miroir des bois/ Mirror in the woods
Oil on canvas
I have no further description, at this time
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